I am Doll Eyes (I want to be the girl with the most cake)

E S S A Y S
Using Points of View by Sorcha

An important part of planning fiction is to decide what point of view to write from. One of the worse and most jarring things that can happen to be while reading a good fic is when the author suddenly, and not for the purpose of effect of plot, changes point of view (POV). So, here I have made a short rundown of the various POVs that can be present in fic and explained them to help you understand a little bit better.

1st Person
This is written from the POV of a character in the story. And the pronoun "I" will be used as you describe what the character is going through, their thoughts, emotions what they see or feel. You have to really get inside the head of the character and because of this your fiction will be very subjective. The advantages of this style of writing is that it gives your fiction a very personal feel and you won't be limited in any aspect of description. On the downside the narrator cannot tell what other characters are feeling, so the story could become very one-sided if there's not a good mix of exposition and dialogue.

2nd Person
This is written from the POV of someone outside the story, but to a character. The pronoun "you" will be used as you are talking directly to one character. This is a strange POV and is rarely used in fiction, but can be very effective if used to the full advantage. You can become a conscience voice or the little voices inside someone's head. The guilt trip is a common occurrence in 2nd Person fiction. There is not often a lot of dialogue included in this style of fiction, unless it is used in flashback scenes written in a different POV. The advantages of this POV are that because you become an omniscient being you can know anything you want about a character, or all the characters. This gives you no limitation in how you describe things or what you tell your characters about others. The disadvantages are that it's much more difficult to incorporate dialogue or interaction between characters and often authors can become confused while writing this POV.

3rd Person Objective
This is written from the POV of someone outside of the story, not a character present. The pronouns "he", "she" and "they" will be used and only objective observations can be made using this voice. That means that anything not available to you through the main five senses cannot be written about. You cannot tell what a character is thinking or feeling and anything that the reader would not be able to tell for themselves, you cannot tell. The advantages of this are that you do not become caught up in a subjective or bias view of characters and everyone is given equal importance. On the downside though it is not very personal, as the narrator can give no more insight to the characters than the reader already knows.

3rd Person Omniscient
This is again written from the POV of someone outside of the story, not a character present. The pronouns "he", "she" and "they" will be used but unlike the 3rd Person Objective the narrator in 3rd Person Omniscient knows the thoughts and feelings of the characters in the story. They can therefore write not only the dialogue happening between two characters, but the thoughts and reactions each have to the dialogue. The advantages of this are that it is made much more personal than 3rd Person Objective but still maintains a rather overall look at the characters. The disadvantages are that there is less focus on one character's thoughts or feelings and there is no personal observation from the narrator, as they know exactly what the characters are thinking and therefore do not need to speculate.

3rd Person Subjective
This POV is written from the POV of one of the characters in the story but will still use the pronouns “he”, “she” and “it”. The advantage of this kind of POV is that your narrator has a very strong voice and is closely connected to the story. Of course the disadvantages of this are that the story can become very one-sided, which is why many writers choose a different character to be their narrator for each chapter therefore balancing out the bias of opinion. This is a very common POV in fanfiction.

These are some of the main point of views used in fiction, and over all the final 3rd Person Subjective/Objective are probably the most present in fiction, especially large epics. But remember, it doesn't matter which you use, or if you use a collection of them, just plan carefully before hand so that your reader is not jolted from POV to POV with no real reason other than your carelessness.

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